SEO report of resonancesoundesign.com
Resonance UK - Andy Kennedy Sound Designer
www.resonancesoundesign.com/
Resonance (UK) Limited evolved from successful freelance careers in 2002 by award winning sound designer Andy Kennedy and his wife Mary Kennedy. Our ...
Tasks
- Select one version of your site as main and make a redirect from other versions to that one.
- Avoid using deprecated HTML tags.
- Implement the viewport meta tag.
SEO
URL
Domain : www.resonancesoundesign.com/
Character length : 28
Title
Resonance UK - Andy Kennedy Sound Designer
Description
Resonance (UK) Limited evolved from successful freelance careers in 2002 by award winning sound designer Andy Kennedy and his wife Mary Kennedy. Our business is sound capture, design, supervision and postproduction. It has required investment in state of the art equipment over a number of years retaining some bespoke audio equipment from the outset of the digital age. The compilation of a vast array of digital and analogue sound effects recorded and collated over 30 years from a hundreds of productions and projects.
Keywords (meta keywords)
Good! The website does not use “meta keywords”.
Open Graph Protocol
Error! The website does not use the OG (Open Graph) protocol.
Dublin Core
Dublin Core is not used
Underscores in the URLs
Good! No underscore (_) found in the URLs.
Search engine friendly URLs
Good! The website uses SEO friendly URLs.
Checking the robots.txt file
The robots.txt file is missing!
Social
Social Engagement
No info found.
Content
Doctype
HTML 5
Encoding
Perfect! The character encoding is set: UTF-8.
Language
We have found the language localisation: ”en”.
Title
Resonance UK - Andy Kennedy Sound Designer
Character length : 42
Good! The title’s length is between 10 and 70 characters.
Character length : 42
Good! The title’s length is between 10 and 70 characters.
Text / HTML ratio
Ratio : 44%
Good! The text / code ratio is between 25 and 70 percent.
Good! The text / code ratio is between 25 and 70 percent.
Headings
| H1 | H2 | H3 | H4 | H5 | H6 |
|---|---|---|---|---|---|
| 46 | 43 | 0 | 0 | 0 | 0 |
Heading structure in the source code
- <H2> Connect on
- <H1> ABOUT US
- <H1> A Brief Introduction
- <H2>
- <H1> OUR WORK
- <H1> Our Services
- <H2>
- <H1> LINKS
- <H1> Linkedin
- <H2>
- <H1> Pro IMDB account
- <H2>
- <H1> Gravity Interview
- <H2>
- <H1> NFTS
- <H2>
- <H1> BFI
- <H2>
- <H1> For those that speak Spanish Game of Thrones interview.
- <H2>
- <H1> Ceremony of Innocence BBC News 1998
- <H2>
- <H1> Goblet of Fire mention ‘making the dragon sing’
- <H2>
- <H1> Also Order of the Phoenix interview
- <H2>
- <H1> Another Potter item:
- <H2>
- <H1> Harry Potter and The Sound of Magic | Nick's Tutorials
- <H2>
- <H1> Article with the Irish sound crew on ‘Game of Thrones’ The Irish Film & Television Network
- <H2>
- <H1> Beyond Dolby (Stereo): Cinema in the Digital Sound Age - Mark Kerins - Google Books
- <H2>
- <H1> Sound Design Scenes That Impressed Me | The Sound Design Process Got Ep 110 Head off the king clip
- <H2>
- <H1> Craft session at BAFTA
- <H2>
- <H1> Interview with Matt Price
- <H2>
- <H1> BFI Film Academy
- <H2>
- <H1> AWARDS
- <H1> Our Awards
- <H2>
- <H1> 1998 - BAFTA for best sound
- <H2> The Lakes
- <H1> 1998 - BAFTA Best use of sound at Interactive awards
- <H2> Ceremony of Innocence
- <H1> 2002 - Primetime EMMY outstanding sound editing
- <H2> Band of Brothers
- <H1> 2006 - Golden Reel Award (MPSE)
- <H2> Harry Potter and The Goblet of Fire
- <H1> 2009 - Primetime EMMY outstanding sound editing
- <H2> Generation Kill
- <H1> 2011 - Golden Reel Award (MPSE)
- <H2> Game of Thrones
- <H1> 2015 - Golden Reel Award (MPSE)
- <H2> Halo: Nightfall
- <H1> .
- <H2>
- <H1> 1988 Nomination BAFTA Television Film Sound
- <H2> Supersense (series)
- <H1> 2000 - Nomination Golden Reel Award (MPSE)
- <H2> ‘James Bond: The World is not Enough’
- <H1> 2001 - Nomination Royal Television Society Award
- <H2> Sword of Honour
- <H1> 2003 Nomination Golden Reel Award (MPSE)
- <H2> Harry Potter and The Chamber of Secrets
- <H1> 2005 Nomination Golden Reel Award (MPSE)
- <H2> Harry Potter and The Prisoner of Azkaban
- <H1> 2008 Nomination Golden Reel Award (MPSE)
- <H2> Harry Potter and The Order of the Phoenix
- <H1> 2009 Nomination Golden Reel Award (MPSE)
- <H2> Generation Kill
- <H1> 2010 Nomination Golden Reel Award (MPSE)
- <H2> Fantastic Mr Fox
- <H1> 2010 Nomination Golden Reel Award (MPSE)
- <H2> Harry Potter and The Half blood Prince
- <H1> 2011 Nomination Primetime EMMY
- <H2> Game of Thrones
- <H1> 2013 Best sound drama strike back (2010)
- <H2> Strike Back
- <H1> 2015 Nomination Golden Reel (MPSE)
- <H2> Klondike
- <H1> 2015 - Bafta Film Award
- <H2> The Imitation Game
- <H1> CONTACT
- <H2> CONTACT@RESONANCESOUNDESIGN.COM
Word cloud
- sound24
- http16
- award13
- nomination11
- reel11
- golden11
- mpse11
- film7
- potter7
- effects6
- television6
- bafta6
- harry6
- during5
- www5
- production4
- best4
- design4
- shoot4
- final4
- game4
- digital4
- mix4
- awards4
- time4
- years4
- interview4
- productions3
- interactive3
- work3
- project3
- recordings3
- tutorials3
- soundtrack3
- primetime3
- recording3
- emmy3
- thrones3
- locations3
- linkedin3
- location3
- editing3
- another3
- bfi3
- scenes2
- even2
- action2
- down2
- full2
- process2
- budgets2
- crew2
- creative2
- phoenix2
- irish2
- editorial2
- worked2
- media2
- internet2
- multi2
Keyword matrix
| word | title | descriptions | heading |
|---|---|---|---|
| sound | |||
| http | |||
| award | |||
| nomination | |||
| reel | |||
| golden |
Two Word cloud
- nomination golden6
- award mpse6
- mpse harry4
- golden reel4
- reel award3
- sound design3
Three Word cloud
- nomination golden reel2
- reel award mpse2
- golden reel award2
- mpse harry potter2
404 Page
The website has a 404 error page.
Flash content
Good! The website does not have any flash contents.
Frame
Good! The website does not use iFrame solutions.
Images
We found 8 images on this web page.
Good! Every image has an alternative text attributes set on this website.
Good! Every image has an alternative text attributes set on this website.
Readability
Flesch–Kincaid Grade Level
6.70
Flesch Reading Ease
58.30
Coleman Liau Index
12.00
Automated Readability Index (ARI)
5.30
Dale–Chall Readability
7.40
SMOG Index
9.60
Spache Readibility
5.00
Number of letters
6067
Number of words
1213
Number of sentences
191
Average words per sentences
6
Number of syllables
2037
Syllables in words
1992
Average syllables in words
1.68
Number of words in first three syllables
233
Percentage of word / syllables
19.21
Words not in Dale-Chall easy-word list
547
Words not in Spache easy-word list
339
Technologies
Mobile optimization
This website is optimal for mobile devices!
Deprecated HTML elements
Good! No deprecated HTML tags are detected.
Redirection (www / not www)
Error! The web address is accessible with and without www!
Deprecated HTML elements
Good! No deprecated HTML tags are detected.
Printability
Suggestion! Unfortunately, no printer-friendly CSS found.
Meta Tag (viewport tag, mobile devices)
Error! The meta tag named viewport is missing.
Speed test
Server response time
The server response time is fast enough.
Loading time
539 ms
Table layout
Good! No nested tables found.
Render blocking resources
Good! No render blocking elements found!
Speed test – Javascript
Javascript
Good! Just a few javascript files are detected on the website.
- http://www.resonancesoundesign.com/js/jquery.jscrollpane.min.js
- http://www.resonancesoundesign.com/js/jquery.mousewheel.js
- http://www.resonancesoundesign.com/js/transit.js
- http://www.resonancesoundesign.com/js/operations.js
File size of all javascript files combined
0.00
Javascript minifying
Great! The Javascript files are minified.
Speed test – CSS
CSS
Good! Just a few CSS files are used on this website.
- http://www.resonancesoundesign.com/css/main.css
- http://www.resonancesoundesign.com/css/normalize.css
- http://www.resonancesoundesign.com/css/jquery.jscrollpane.css
File size of all css files combined
0.00
CSS minifying
Great! The CSS elements are minified.
Speed test – Compression
Uncompressed size of the of the HTML
0.00
Gzip compression
Your site uses compression.
Speed test – Browser cache
Browser cache
The browser cache is set correctly for all elements.
Speed test – Images
File size of all images combined
0.00
Image optimisation
All images are optimized.
Links
We found a total of 19 different links.
External links: 19
External links: 19
External links:
Internal links:
| Link text (anchor) | Link strength |
|---|
Website security
IP
91.238.160.3
External hidden links
Good! No hidden external links found
Looking for eval()
Good! No eval(bas64_decode()) scripts are found
Checking for XSS vulnerability
No XSS vulnerability found
Email encryption
Warning! The website contains at least one unencrypted email address.
Sites on same ip
Icons
Favicon
Error! No favicon is found. Using favicon helps to build a better brand quicker.
Order of Heading elements on mobile by position
- H1 : ABOUT US, ( 0px from top )
- H1 : A Brief Introduction, ( 0px from top )
- H2 : Resonance (UK) Limited evolved from successful freelance careers in 2002 by award winning Sound designer Andy and his wife Mary Kennedy. Our business is sound capture, design, supervision and postproduction. It has required investment in state of the art equipment over a number of years retaining some bespoke audio equipment from the outset of the digital age. The compilation of a vast array of digital and analogue sound effects recorded and collated over 30 years from a hundreds of productions and projects. Resonance(UK) Ltd has a strong commitment to the delivery of high quality original soundtracks for film, television and interactive projects with a finite attention to detail. The search for the perfect combination of audio ingredients combined with a need to be original and unique. This has led to nominations and awards over a wide range of productions. A new branch to the company’s activities is public speaking, lectures and tutorials. This work has included part-time tutorials at The National film and Television school. Other bookings include lectures on sound design at various educational institutes and recordings of presentations by ‘Autism Oxford’ future multi media project. We have worked on everything from short films, commercials & television, interactive media through to large scale feature films with over thirty years experience. Specialisation on complex effects sequences has been a stream of recent work from intricate action sequences, too big budget CGI’s scenes. We can supply a range of pre mixed elements and designed sounds effects, either for 'temp' or 'final' mixes. A full supervised soundtrack facility from recording to mix are also available. , ( 0px from top )
- H1 : OUR WORK, ( 0px from top )
- H1 : Our Services, ( 0px from top )
- H2 : With years of experience we offer the facility to ‘think ahead’ for productions. In association with the chosen sound mixer or as an additional service. It’s a bespoke service dependant on production schedule on a full or part time basis to ensure the sound ‘capture’ of everything from a production’s dialogue to sound effects is never overlooked or missed. Sound can be a neglected part of a project and can have implications in post, especially, for instance, when a performance from an artist is marred by poor recording or background problems. Locations may look fantastic but being on a flight path can be sonically devastating for a period film setting. So advice or consultation during recce of locations can also avoid sound problems later. Although digital multi track recordings can give alternative possibilities, they do not always give you the best end results. Selective wild tracks for dialogue can be a better approach than multiple channels of muffled radio mic recordings. Sound effects capture are another area overlooked during the shoot. Rare action vehicles, animals and unique locations and crowds can sometimes only be recorded when the camera is rolling. An argument can be that the ‘productions’ budgets can’t cater for ‘post’ requirements during shoot, but this can be down to scheduling and planning. It is not unknown that we have to record important sound ingredients after filming, even when the ‘item’ or ‘group’ were on ‘standby’ for a large proportion of the shoot. Arranging to ADR performances on location can be possible if the location poses difficulties for recording wild tracks. This can be time consuming and artists get frustrated re-recording ‘a lot of takes’ instead of the chosen final edit. Being proactive during the shoot can save a production time and money at editorial all the way to the final mix. With fast internet connections, cloud hosting and internet conferencing the technology has now developed to a degree where a sound track can be created in any location worldwide. For example, tax implications on postproduction budgets can involve doing the editorial in one continent and mixing in another - even slipping time zones so a soundtrack is worked on whilst the mix crew rests. Some current workflow and methods have come down from previous techniques used on older technology. Embracing a new approach to sound post can be a challenge depending on the budgetary constraints and creative needs of a particular production. As interchange formats evolve into a more elegant process, the creative input of a good soundtrack can run parrallel with the editing of the production. Fine cut can be elusive if a project is chasing viewers ratings or the visual effects are incomplete during final mix. Working in a flexible way with modern workflows and teamwork is in essence, our business. , ( 0px from top )
- H1 : LINKS, ( 0px from top )
- H1 : Linkedin, ( 0px from top )
- H2 : http://uk.linkedin.com/pub/andy-kennedy/a/317/90b http://www.linkedin.com/pub/mary-kennedy/16/9a7/4b2 , ( 0px from top )
- H1 : Pro IMDB account, ( 0px from top )
- H2 : http://pro.imdb.com/name/nm0447905/ , ( 0px from top )
- H1 : Gravity Interview, ( 0px from top )
- H2 : http://soundworkscollection.com/videos/gravity , ( 0px from top )
- H1 : NFTS, ( 0px from top )
- H2 : http://nftsfilm-tv.ac.uk/our-courses/masters/sound-design-film-television , ( 0px from top )
- H1 : BFI, ( 0px from top )
- H2 : http://explore.bfi.org.uk/4ce2bafeae023 , ( 0px from top )
- H1 : For those that speak Spanish Game of Thrones interview., ( 0px from top )
- H2 : http://www.musicaytalento.org/?p=1329 , ( 0px from top )
- H1 : Ceremony of Innocence BBC News 1998, ( 0px from top )
- H2 : http://news.bbc.co.uk/1/hi/entertainment/204258.stm , ( 0px from top )
- H1 : Goblet of Fire mention ‘making the dragon sing’, ( 0px from top )
- H2 : http://www.creativeplanetnetwork.com/dcp/news/magical-sounds/42473 , ( 0px from top )
- H1 : Also Order of the Phoenix interview, ( 0px from top )
- H2 : http://designingsound.org/2007/07/ , ( 0px from top )
- H1 : Another Potter item:, ( 0px from top )
- H2 : http://www.academia.edu/2197546/What_Does_a_Cornish_Pixie_Sound_Like , ( 0px from top )
- H1 : Harry Potter and The Sound of Magic | Nick's Tutorials, ( 0px from top )
- H2 : http://nickstutorials.com/harry-potter-and-the-sound-of-magic/ , ( 0px from top )
- H1 : Article with the Irish sound crew on ‘Game of Thrones’ The Irish Film & Television Network, ( 0px from top )
- H2 : http://www.iftn.ie/news/?act1=record&only=1&aid=73&rid=4284941&tpl=archnews&force=1 , ( 0px from top )
- H1 : Beyond Dolby (Stereo): Cinema in the Digital Sound Age - Mark Kerins - Google Books, ( 0px from top )
- H2 : http://books.google.co.uk/books?id=zO7CByup , ( 0px from top )
- H1 : Sound Design Scenes That Impressed Me | The Sound Design Process Got Ep 110 Head off the king clip, ( 0px from top )
- H2 : http://thesounddesignprocess.wordpress.com/2012/04/18/sound-design-scenes-that-impressed-me/ , ( 0px from top )
- H1 : Craft session at BAFTA, ( 0px from top )
- H2 : http://guru.bafta.org/bafta-film-craft-sessions-sound-extended-cut , ( 0px from top )
- H1 : Interview with Matt Price, ( 0px from top )
- H2 : https://youtube.com/watch?v=EodvXspMmVI&feature=youtu.be , ( 0px from top )
- H1 : BFI Film Academy, ( 0px from top )
- H2 : https://soundcloud.com/bafta/bfi-film-academy-andy-kennedy-on-sound-design/s-l83CQ , ( 0px from top )
- H1 : AWARDS, ( 0px from top )
- H1 : Our Awards, ( 0px from top )
- H2 : Wins, ( 0px from top )
- H1 : 1998 - BAFTA for best sound, ( 0px from top )
- H2 : The Lakes, ( 0px from top )
- H1 : 1998 - BAFTA Best use of sound at Interactive awards, ( 0px from top )
- H2 : Ceremony of Innocence, ( 0px from top )
- H1 : 2002 - Primetime EMMY outstanding sound editing, ( 0px from top )
- H2 : Band of Brothers, ( 0px from top )
- H1 : 2006 - Golden Reel Award (MPSE), ( 0px from top )
- H2 : Harry Potter and The Goblet of Fire, ( 0px from top )
- H1 : 2009 - Primetime EMMY outstanding sound editing, ( 0px from top )
- H2 : Generation Kill, ( 0px from top )
- H1 : 2011 - Golden Reel Award (MPSE), ( 0px from top )
- H2 : Game of Thrones, ( 0px from top )
- H1 : 2015 - Golden Reel Award (MPSE), ( 0px from top )
- H2 : Halo: Nightfall, ( 0px from top )
- H1 : ., ( 0px from top )
- H2 : Nominations, ( 0px from top )
- H1 : 1988 Nomination BAFTA Television Film Sound , ( 0px from top )
- H2 : Supersense (series), ( 0px from top )
- H1 : 2000 - Nomination Golden Reel Award (MPSE), ( 0px from top )
- H2 : ‘James Bond: The World is not Enough’, ( 0px from top )
- H1 : 2001 - Nomination Royal Television Society Award , ( 0px from top )
- H2 : Sword of Honour, ( 0px from top )
- H1 : 2003 Nomination Golden Reel Award (MPSE) , ( 0px from top )
- H2 : Harry Potter and The Chamber of Secrets, ( 0px from top )
- H1 : 2005 Nomination Golden Reel Award (MPSE), ( 0px from top )
- H2 : Harry Potter and The Prisoner of Azkaban, ( 0px from top )
- H1 : 2008 Nomination Golden Reel Award (MPSE), ( 0px from top )
- H2 : Harry Potter and The Order of the Phoenix, ( 0px from top )
- H1 : 2009 Nomination Golden Reel Award (MPSE), ( 0px from top )
- H2 : Generation Kill, ( 0px from top )
- H1 : 2010 Nomination Golden Reel Award (MPSE), ( 0px from top )
- H2 : Fantastic Mr Fox, ( 0px from top )
- H1 : 2010 Nomination Golden Reel Award (MPSE), ( 0px from top )
- H2 : Harry Potter and The Half blood Prince, ( 0px from top )
- H1 : 2011 Nomination Primetime EMMY, ( 0px from top )
- H2 : Game of Thrones, ( 0px from top )
- H1 : 2013 Best sound drama strike back (2010), ( 0px from top )
- H2 : Strike Back, ( 0px from top )
- H1 : 2015 Nomination Golden Reel (MPSE), ( 0px from top )
- H2 : Klondike, ( 0px from top )
- H1 : 2015 - Bafta Film Award, ( 0px from top )
- H2 : The Imitation Game, ( 0px from top )
- H1 : CONTACT, ( 0px from top )
- H2 : CONTACT@RESONANCESOUNDESIGN.COM, ( 0px from top )
- H2 : Connect on, ( 453.0625px from top )
Typos
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- Html5
- Javascript
- jQuery
- Php (Hypertext Preprocessor)
- Pingback
- CMS
- Title: 能生輪希子のそうかんじょうもとちょうBLOG
- Description:
- Internet Protocol (IP) address:
- Tech:
- CMS
- Wordpress CMS
- Other
- CSS (Cascading Style Sheets)
- Html (HyperText Markup Language)
- Html5
- Javascript
- Php (Hypertext Preprocessor)
- Pingback
- CMS
- Title: 必赢亚洲娱乐-必赢亚洲娱乐平台-必赢亚洲官网
- Description: 必赢亚洲娱乐是亚洲最强的真人娱乐平台,全网最佳的真人在线游戏就在这里,官方网站全面升级,欢迎新老玩家跟进游戏,本网站为玩家准备了丰富大礼！
- Internet Protocol (IP) address:
- Tech:
- Other
- CSS (Cascading Style Sheets)
- Html (HyperText Markup Language)
- Javascript
- Php (Hypertext Preprocessor)
- Other
- Title: Karl Möller GmbH
- Description: 60 Jahre Karl Möller GmbH
- Sites loading time: 322
- Internet Protocol (IP) address:
- Javascript total size: 152.49KB
- CSS total size: 29.05KB
- Image total size: 203.08KB
- Total size: 392.53KB
- Tech:
- CMS
- Wordpress CMS
- Other
- CSS (Cascading Style Sheets)
- Html (HyperText Markup Language)
- Javascript
- jQuery
- Php (Hypertext Preprocessor)
- Pingback
- CMS
- Title: 无锡鼎士智能科技有限公司,短途代步工具,滑板车,电动三轮滑板车,滑板平衡车,雷轮智能滑板车
- Description: 无锡鼎士智能科技有限公司,短途代步工具,滑板车,电动三轮滑板车,滑板平衡车,雷轮智能滑板车
- Sites loading time: 27229
- Internet Protocol (IP) address:
- Javascript total size: 32.42KB
- CSS total size: 5.94KB
- Image total size: 81.72KB
- Total size: 132.40KB
- Tech:
- Other
- CSS (Cascading Style Sheets)
- Html (HyperText Markup Language)
- Javascript
- Php (Hypertext Preprocessor)
- Other
- Title: Cloudberry Hair and Makeup
- Description: Hair, Makeup, Eyelash Extensions, Feather Tattoo, Formals & Weddings. Stockists of; napoleon, Inika, Lilash, SkinO2 & more. Adelaide, SA
- Internet Protocol (IP) address:
- Tech:
- Analytic
- Google Analytics
- Social
- Add This
- Other
- CSS (Cascading Style Sheets)
- Google Font API
- Html (HyperText Markup Language)
- Html5
- Javascript
- Analytic
- Title: Domeinnaam Onlinereserveringen.nl
- Description: Deze mooie domeinnaam kan over een paar minuten van jou zijn.
- Internet Protocol (IP) address:
- Tech:
- Analytic
- Google Analytics
- Other
- CSS (Cascading Style Sheets)
- Html (HyperText Markup Language)
- Javascript
- jQuery
- Php (Hypertext Preprocessor)
- Analytic